Lana Del Rey - Margaret by RITA B

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Lana Del Rey - Margaret by RITA B 1p 미리보기
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Quality ⭐⭐⭐⭐⭐

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Artist | Lana Del Rey

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Similar | Olivia Rodrigo, Billie Eilish, Zara Larsson, Sabrina Carpenter, sombr, Alex Warren, Djo, Tate McRae, Charlie Puth, Benson Boone, Gracie Abrams, The Marías, Katseye, Sienna Spiro, Addison Rae, Melanie Martinez, Freya Skye, Damiano David, Bella Kay, Reneé Rapp, mgk, Rachel Zegler, Yung Kai, Julia Wolf, Malcolm Todd, Alec Benjamin, Taylor Swift, Justin Bieber, Lady Gaga, Coldplay, Ed Sheeran, Ariana Grande, Dua Lipa, Katy Perry, Sia, Miley Cyrus, Halsey, Faouzia, Loreen, Lizzy McAlpine, Sydney Rose, Clairo, Ethel Cain, Annabelle Dinda, Samantha Ebert, Gigi Perez, Tom Odell, Lauren Spencer-Smith, Paris Paloma, Keshi, Audrey Hobert, Billie Marten, Liana Flores, Olivia Dean, Raye, Laufey, beabadoobee, Mitski

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Genre | Pop Ballad

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Score | Piano Lyrics Chords

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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🎹 It is a score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

Margaret” Sheet Music

Please, notice that the vocals are written using a treble clef with the numeral 8 below it 𝄠 (a suboctave clef). This indicates that the pitches sound one octave below the written score. Play the right hand one octave lower than written.

Imitate the vocal delivery by Lana Del Rey or it won't sound as the song. Many notes of the vocal part is of an indefinite pitch, the bridge is spoken. Start all passages softly, gaining weight only in the middle of the sentence and decreasing the volume again in the end of all phrases.

All inflected notes should be played very quietly. The melodic line is built on repetition of one note, so it produces not much of a melody for the right hand. The composition lacks intervallic saturation thus its artistic meaning and expression suffer. A predominant vocal style is legato.

"Margaret" is played with a straight rhythm in common time. It is easy to count for beginners; accent strong beats to maintain a steady pulse.

Practice "Margaret" slowly along with the recording. To keep listeners attention, the chorus was made to be the biggest part of the song. It has three distinctive parts. I colored it blue for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. Play every part differently, as expressively as possible.

If some notes are too difficult to play, omit them focusing on emotions instead of sightreading.

A single vocal line accompanied by an instrumental part constitutes the entire musical texture. "Margaret" has a semi-improvised, loosely organized and wandering melody and homophonic arrengement: the instrumental part provides a harmony to support the vocal but lacks its own melody.

"Margaret" is transcribed in the original key, A Major, and uses short progression A E Bm that can be barely heard. The aesthetic value of a melodic line is achieved through the use of stepwise motion, simple to decipher by young unexperienced listeners.

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