Lana Del Rey - Let The Light In by RITA B

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Quality ⭐⭐⭐⭐⭐

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Artist | Rita B

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Similar | https://www.mapianist.com/profile/1038707?viewType=sheet&orderBy=createdAt&page=1&search=

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Genre | Pop K-Pop J-Pop Rock Country Folk Hispanic Ballad EDM Movie OST Animation OST R&B Hip-Hop Game OST CCM Series OST Jazz

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Score | Duet Piano + Voice Piano Lyrics Chords Violin Saxophone Instrumental

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👧🏻 Sick of sheet music being inaccurate and unplayable?

Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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🎹 A score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

“Let The Light In” Sheet Music

"Let the Light In" is transcribed in the original key, A Major, and uses one progression Bm E or E7 A or A7 D. Extended to seventh degree chords help create richer sounds.

The aesthetic value of a melodic line is achieved through the use of comforting stepwise motion.

Imitate the vocal delivery by Lana Del Rey and Father John Misty or it won't sound as the song. The vocal part is rhythmic but with pitch inflections (slurred notes). All inflected notes should be played very quietly. A predominant vocal style is legato

Notice fermatas (𝄐) at the end. I skipped the wandering outro and just used Lana's cadence of an indefinite length.

"Let the Light In" is played with a straight rhythm in common time. It is easy to count for beginners; accent strong beats to maintain a steady pulse. Practice _"Let the Light In"_ slowly along with the recording.

Composition: Verse I — Verse II — Bridge

To keep listeners attention, the chorus* was made to be the biggest part of the song. I colored it blue for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. Play every part differently, as expressively as possible. If some notes are too difficult to play, omit them focusing on emotions instead of sightreading.

A single vocal line accompanied by an instrumental part constitutes the entire musical texture. "Let the Light In" has a semi-improvised, loosely organized and wandering melody and homophonic arrengement: the instrumental part provides a harmony to support the vocal but lacks its own melody.

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